Review: Caroline Mauxion's Le murmure d'une empreinte at Arprim | Maclean's Parallaxe at Galeries Roger Bellemare et Christian Lambert
There is a curious affinity between two shows on at the Belgo. Both exhibitions involve games of distances, projections of bodies, whether they are human, celestial, or the guts of houses. Le murmure d'une empreinte by Caroline Mauxion (with Céline Huyghebaert and Elise Anne LaPlante) at Arprim attempts to capture the subtle and ephemeral traces of the body in space, heightening its suggestiveness to a poetic density through abstracting it into fragmented and de-familarized aspects of flesh and simplified sculpture renderings.