The new exhibition at Fondation Guido Molinari takes a fundamentally different tack than its last few historical shows. Molinari the 60s and the 70s were both defined by decade, although this was limited to the highlighting of a small body of work and contained only slight means for contextually making their historical framing very meaningful. As a result, while interesting, the curation of the paintings did not typically shed much light on them, nor did it let either simply stand as a show of works. The latter quality is something that is clearly present in Art Mûr’s current show of Claude Tousignant works, mixing those from the 1950s with some more recent ones. Making very little effort to historicize them, they stand quite comfortably as another current exhibition. The show at the Molinari, by contrast, does something very different. Curated by Marie Fraser, L’œil attentif , is described as reconstructing “a fragment of the The Responsive Eye exhibition presented in 1965 at th...
A critical revue of contemporary art in the city.