Art in Montreal

Not long ago we reviewed a show at UQAM that took as its broad concern issues of “fake news” and the schisms between different types of knowledge. While it emphasized the dubious role of the university’s mediation in the evaluation of these different regimes of knowledge, none of these things were formulated in a way that made much sense, either within the works themselves or their collective curation. As a result, the exhibition testified more to the irrelevance of knowledge than anything else and demonstrated the absurdity of its conceptual categories and strategies. At Circa is another show that dances around a topic peripheral to fake news and alternative epistemologies, conspiracy theory. Jacinthe Loranger ’s Conspiritualité, pastel Q et autres cabales is something of an aesthetic departure from her earlier work. According to the accompanying essay by Galadriel Avon, the installation …examin[es] codes that stem from conspiracy theories. Although popular for centuries, recent...

  What follows is a review of three different exhibitions. They are presented here because they have significant thematic/conceptual overlap and demonstrate different strategies of approach in a wide variety of media. Although the first and second approach the spectre of colonialism loosely, the last exploits it as its central feature. Mathieu Gotti’s La grande Liquidation tout doit disparaître at Art Mûr This is a repackaging of much the same work by Mathieu Gotti that was shown at the Centre d’art Jacques et Michel Auger in Victoriaville in 2021, although the scaling here is more confined. It involves a set of painted wood carvings, primarily of animals, but also of weaponry, gas cans etc. Carving marks are prominent and the paint application is crude if never garish. In general, they have the sense of inflated toys. Spread around the front of the gallery, they also give the impression of being more accumulated like a snow drift than thoughtfully placed. If they are toyis...