Art in Montreal

In the bunker of Bradley|Ertaskiran is Joseph Tisiga’s exhibition, It was God the whole time . Consisting of ten paintings and five sculptures, these are framed by the accompanying text this way: Tisiga indulges in our perceived expectations of his paintings; interrupting familiar scenes or genres with critical or comedic relief. These disruptions are often shocking or amusing, like an inside joke or personal musing only the artist is privy to. […] Tisiga’s work oscillates between the recognizable and the uncanny, the real and the absurd. [np] A recurring character in Tisiga’s work, the seemingly simple mask doubles as an exercise in language making. Tisiga, a member of the Kaska Dena First Nation, reflects on how Kaska do not have a readily apparent visual aesthetic for objects or imagery. Within his works, Tisiga contemplates the construction of different modes of signifying as a necessary preservation tool for future Kaska. Yet, despite his commitment to unpacking visual identity

A Symphony of Untold Depths at Galerie Nicolas Robert features the work of seven artists and Sunrise, Sunset at Bradley|Ertaskiran has work by thirteen. Both group shows are arranged around a broad theme. They pair interestingly since one is largely about projecting a face (or some other body part) onto the world and the other is about a world without faces. The results are a mixture of the sensual and slightly unnerving. The Bradley|Ertaskiran show is broader in scope and this thins it out a bit. A few of the works don’t quite belong and don’t add much, in particular two paintings by Janet Werner . The painting of hers that does fit, Moore , sits at the front of the exhibition. Encountered upon entrance, it is a little nightmarish work: loosely handled figures in a landscape suggesting something between the Historic rape genre that was popular for a while in Salon painting and the earth mother Primitivism popular among Modernists. It’s paired, appropriately enough, with a very d